Pleased to announce i’ll be doing a dual screen AV show on September 29th at the Louisiana Bristol.
Facebook event and tickets available here.
Here’s a remix I did for my good friends The Crisis Project.
Kayla Painter ‘s Dual Screen show returns for the last time this year to Bristol.
This free gig will showcase the unusual set up of two full sized projection screens, with Kayla performing a live set in between them. Expect to be taken on a dreamy journey through the stars whilst the visuals soar above the performer, and entangle you in an ambient sci-fi world of delights. You’ll catch glimpses of Kayla’s silhouette throughout the performance, and when released from your trance you may have trouble finding your feet, so we advise you move slowly upon exit.
Catch this unmissable show for the last time this year at The Canteen on Stokes Croft, 26th November, Free entry.
“A live show not to be missed” Bristol Live Magazine
“Kayla Painter, the ever enigmatic performer” Howling Owl Records
“A unique slant on the amalgamation of audio and visual..a breath of fresh air” DrunkenWerewolf Magazine
Support from Barnaby Carter
‘Gilles Peterson endorsed, Barnaby Carter’s soulful yet eclectic sound is homegrown talent to have more than one eye kept on in the coming months’ CRACK Magazine
‘Off the back of support slots with Lapalux and The Slow Revolt, and remixes for Nils Frahm, Elephant and Oliver Wilde, Barnaby Carter is readying a new release of dreamy hypnogogic electronica, with washes of atmosphere a la Mount Kimbie, Four Tet and Bonobo.’
Hari from Electronic Music Wales was kind enough to invite me to do an interview for their site.
You can read our chat here – EMW
Covering topics – cheating in music, live electronic improvisation, stealing culture and field recordings, what it’s like to release through a label, studying music in the University of Wales, Newport, and other bits and bobs.
Image: Zoltan Nagy
This is my second official release.
It is now out in the world ready for your ears!
Ableton Live 8,
Logic Pro 9,
Native Instruments Komplete 7 (software),
2 x KRK Rokit 6,
Komplete Audio 6 sound card,
glockenspiel, hand claps, vocal/glottal noises, & other found sounds
photo: Annik Media
Hard copies can be ordered from me through any of the social network sites by just dropping a message across. – or see me at a show.
Digital copies, Itunes/amazon/the usual
I’ve recently been working in the studio with Ableton, for composition.
This is completely new to me, as I have only previously used Ableton for Live sets.
Here’s something I was messing around with this afternoon.
– It might be worth mentioning I have been listening to some more experimental stuff lately, retracing my university learning, Jacob Kirkeegard, Steve Reich, Alvin Lucier, the usual suspects.
and here’s what it looks like
I have just sent off my first track to be mastered today, whilst i’m adding the finishing touches to one of the other tracks.
The new EP is more exciting, current, and fresh (for me) than my last one ever was. Kayla Painter (2012), seemed like an experiment to me, to see if I could finish some songs, run a launch night, and get my stuff on Spotify. This project feels very different, it feels like I am releasing something because I have a group of songs that really want to be heard and remixed and enjoyed! Since my last release I have been gradually building a home studio, and I’m now the lucky owner of some grand equipment.
My new home studio set up consists of
KRK Rokit 6 active monitors
NI Komplete Audio 6 (soundcard)
Logic Pro 9
Ableton Live 8
NI Komplete 7 (instruments & effects)
It has certainly been an interesting 8 month project, and I’m really excited to push it forward to your ears. I’d say theres plenty of influence from my favourite musicians, but even more so, Burial, Nicolas Jaar, Steve Reich and Will Wiesenfeld.
A Very New Everything (2013) – Kayla Painter – release date tbc.
My next show will be in Newport’s venue Meze Lounge.
This is going to be an evening of experimental delights. The night is going to be hosted by Newport University’s Creative Sound and Music students. Being a graduate from this course myself I’ll get to see how the current students are pushing the boundaries of formulaic music, exploring sound, performance techniques, composition approaches, or any other variable you can think up.
I have played a Salon night before, last time I played it was held in Cardiff Arts Institute
Cardiff Arts Institute – February 2011 – Photography Nic Finch
The set up I will be using at Meze Lounge, Newport 16.02.2012
I was very kindly donated the APC40, and have enjoyed getting to know it.
The APC40 is a control surface designed to work with Ableton Live, the program I use to create my live sets. Its very easy to map keys on the device to effect variables with just a few clicks. This bit of kit enables some really exciting experimentation with effects, looping and chopping up clips. Something which I love about Ableton is the ability to switch between aspects of one track and another with everything sounding smooth and professional. This is down to Ableton Live being a piece of software that snaps everything to a tempo you set it to. Of course you can alter this as well, if you wanted to have the tempo jumping all over the place you could. The beauty of things staying in time is the freedom you get to mash up your own tracks, which when doing live gives you a chance to be really creative and compose a new song out of your existing songs. This is a very rewarding process for me, and it means the audience get a unique version every time you play live. I have probably only just scratched the surface of possibilities with these two things. But I am always exploring and accidentally stumbling upon new things you can do.